The term ‘African designer’ can be ambiguous and reductive. Synonymous with tribal prints; the artistry and craftsmanship of traditional African techniques can often languish in the shadows of the fashion world. We caught up with London based luxury knitwear designer, Korlekie, to find out how she’s bringing these traditional techniques to the fashion forefront.
Why the name Korlekie?
I was born in the UK to Ghanaian parents. Korlekie comes from my father’s tribe, the Ga-Adangbe and means ‘Queen of Eagles’.
Is your African heritage expressed in your designs?
Being African is an intrinsic part of me, and I’m also inspired by other things. So, I wouldn’t say my designs are ‘African-inspired’ they just reflect who I am.
Is there an expectation to use prints in your designs?
Some people have a narrow view on what ‘African’ is and expect to see printed fabrics in my collections. When they don’t, they ask, ‘so what’s African about your collection?’ African textiles are more than just wax prints, which originally came from Asia and were exported by the Dutch who brought them to Africa.
A white designer born in the UK wouldn’t be asked, “so what’s British about your collection?”
